Músicos chilenos y derechos de autor
El semanario chileno The Clinic trae en su número del 2 de Abril una entrevista a los músicos chilenos Juanita Parra, baterista de "Los Jaivas", y Álvaro López, del grupo "Los Bunkers". Ambos coinciden en que su mayor fuerte de ingresos como músicos, son los conciertos y lo que reciben por concepto de derechos de autor es ínfimo. Los Jaivas originales reciben unos CLP$ 400.000 (~USD$ 700) anualmente cada uno, y Los Bunkers alrededor de CLP$ 500.000 (~USD$ 865), también al año, considerando las ventas de todos los discos en que participan.
Álvaro López lo pone así: "En Chile, los músicos no viven de la venta de discos, nosotros al menos vivimos de las tocatas en vivo, y casi todos los grupos en Chile viven de eso. Obviamente generamos dinero por concepto de venta de discos y derechos, pero no es con lo que paramos la olla mes a mes". En la práctica, las descargas por Internet son la continuación natural de los cassettes copiados, que eran la forma de conocer la música durante buena parte de los 1980s. Juanita Parra considera que el efecto de las descargas de música por Internet es que "son más los beneficios que las pérdidas, porque a través de Internet nos conoce más gente", y que el dinero que reciben por derechos de autor es poco y pasa por muchas manos antes de llegar a ellos.
A las voces de estos músicos chilenos más conocidos, hay que sumar las del circuito más experimental y alternativo. En este caso, Internet es el canal de distribución que usan las Netlabels, agrupadas en Chile en NoaNoa2. De acuerdo a su FAQ, las Netlabels son sellos musicales que disponen su catálogo de manera gratuita a través de una página web y cuyas obras usan licencias Creative Commons. Son una forma de promocionar artistas emergentes que se dan a conocer a través de Internet, y ganan dinero a través de las presentaciones en vivo que realizan.
El mensaje de los músicos es muy simple: hay que integrar las descargas de Internet al quehacer musical como una oportunidad, en vez de resistirse a las nuevas tecnologías y a los cambios que ellas generan.
Fuentes: The Clinic, NoaNoa2, Música Popular. Foto: Juanita Parra @ Blogspot.
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Siempre lo supe pero nunca había escuchado de parte de un grupo famoso hablar de este tema. Hay q sacarle mucho provecho a este articulo del The Clinic.
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forged steel gate valve are characterised as having either a rising or a nonrising stem. Rising stems provide a visual indication of valve position because the stem is attached to the gate such that the gate and stem rise and lower together as the valve is operated. Nonrising stem valves may have a pointer threaded onto the upper end of the stem to indicate valve position, since the gate travels up or down the stem on the threads without raising or lowering the stem. Nonrising stems are used underground or where vertical space is limited.
gate valve
A gate valve, also known as a sluice valve, is a valve that opens by lifting a round or rectangular gate/wedge out of the path of the fluid. The distinct feature of a gate valve is the sealing surfaces between the gate and seats are planar, so gate valves are often used when a straight-line flow of fluid and minimum restric-tion is desired. The gate faces can form a wedge shape or they can be parallel. Typical cast steel gate valve should never be used for regulating flow, unless they are specifically designed for that purpose. On opening the gate valve, the flow path is enlarged in a highly nonlinear manner with respect to percent of opening. This means that flow rate does not change evenly with stem travel. Also, a partially open gate disk tends to vibrate from the fluid flow. Most of the flow change occurs near shutoff with a relatively high fluid velocity causing disk and seat wear and eventual leakage if used to regulate flow. Typical flanged gate valve are designed to be fully opened or closed.[1] When fully open, the typical gate valve has no obstruction in the flow path, resulting in very low friction loss
forged steel gate valve are characterised as having either a rising or a nonrising stem. Rising stems provide a visual indication of valve position because the stem is attached to the gate such that the gate and stem rise and lower together as the valve is operated. Nonrising stem valves may have a pointer threaded onto the upper end of the stem to indicate valve position, since the gate travels up or down the stem on the threads without raising or lowering the stem. Nonrising stems are used underground or where vertical space is limited.
gate valve
A gate valve, also known as a sluice valve, is a valve that opens by lifting a round or rectangular gate/wedge out of the path of the fluid. The distinct feature of a gate valve is the sealing surfaces between the gate and seats are planar, so gate valves are often used when a straight-line flow of fluid and minimum restric-tion is desired. The gate faces can form a wedge shape or they can be parallel. Typical cast steel gate valve should never be used for regulating flow, unless they are specifically designed for that purpose. On opening the gate valve, the flow path is enlarged in a highly nonlinear manner with respect to percent of opening. This means that flow rate does not change evenly with stem travel. Also, a partially open gate disk tends to vibrate from the fluid flow. Most of the flow change occurs near shutoff with a relatively high fluid velocity causing disk and seat wear and eventual leakage if used to regulate flow. Typical flanged gate valve are designed to be fully opened or closed.[1] When fully open, the typical gate valve has no obstruction in the flow path, resulting in very low friction loss
forged steel gate valve are characterised as having either a rising or a nonrising stem. Rising stems provide a visual indication of valve position because the stem is attached to the gate such that the gate and stem rise and lower together as the valve is operated. Nonrising stem valves may have a pointer threaded onto the upper end of the stem to indicate valve position, since the gate travels up or down the stem on the threads without raising or lowering the stem. Nonrising stems are used underground or where vertical space is limited.
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Siempre lo supe pero nunca
Siempre lo supe pero nunca había escuchado de parte de un grupo famoso hablar de este tema. Hay q sacarle mucho provecho a este articulo del The Clinic.
Saludos
Lo mismo pasa en la
Lo mismo pasa en la literatura. Las editoriales le pagan al autor un 10% del precio del libro. Los escritores viven de hacer clases, conferencias, corrección de estilo y otras cosas, pero no de lo que las editoriales les pagan.
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